Where’s the break for Leeds artist?

Posted on: November 14th, 2011 by Damon No Comments

Emerg­ing music tal­ent in Leeds will always have good plat­forms to express them­selves on along with the audi­ences to express them­selves to. For exam­ple, if you want a stage and an audi­ence, there’s the open mic night at Carpe Diem ran bril­liantly by Lyri­cally Jus­ti­fied for over six years now. Many of my friends and acquain­tances have per­formed there over the years and have had a ball of a time. There are also other open mic nights through­out the city such as Tues­days at The Ship and Wednes­days at The Hop. I’m sure there’s a cou­ple more jot­ted around the city cen­tre but I’m cer­tainly not aware of them because open mic nights aren’t well advertised.

If you want to get on the radio then you can get sim­ply get in touch with Alan Raw who hosts BBC Intro­duc­ing every week. Some of the best artists on his shows have gone on to do fes­ti­vals, big and small. Hope­fully we’ll see some of the emerg­ing tal­ent from Future Arts at these fes­ti­vals next year after we impressed Alan with the tracks that have been pro­duced in our stu­dio. I’m also sure that he’ll cham­pion every good song that comes out of Future Arts in the not too dis­tant future.

Then, there’s online gig­ing via web­sites such as YouTube, Face­book, Sound­cloud and Twit­ter to name a few. I’ve had some suc­cess on YouTube in the past where at least two of my orig­i­nal songs gained an online audi­ence of 500+. A num­ber (about 4 or 5) of videos which fea­ture me danc­ing each received 1000+ views so I def­i­nitely had the audi­ence. The prob­lem obvi­ously was get­ting a break which is a prob­lem shared by all emerg­ing tal­ent through­out this city. By get­ting a break I mean by earn­ing a liv­ing from what we do as artists. For me per­son­ally, it’s just not fea­si­ble to be on the dole for many years and to con­tinue pur­su­ing a break in the enter­tain­ment indus­try as the process get more dis­heart­en­ing with every set back.

What’s really needed right now is lots of help­ing hands to lift at least one of our emerg­ing artists from the fusion ses­sions at Future Arts into the capa­ble hands of a top record label. We need a top record label to develop one of our artists into a nation­ally known star so that we as a city can live off that in the present. This is because at the moment we don’t really have an artist from Leeds who we can all relate to and has made it in the indus­try. There’s really no path­way other than hope for the best and if you’re lucky you might get spot­ted by some­one who’s going to turn you into a super­star.

It’s just such a shame that at Future Arts we don’t really have the resources that a record label has to try and turn emerg­ing tal­ent into the next big thing. But hope­fully within this decade that day will come when we will have the resources to pro­duce an artist that will sell out the 13,500 capac­ity arena that’s been built in Leeds.  This is because at Future Arts we are not all about get­ting as many youths through the door as pos­si­ble and stat­ing we’re a suc­cess for that rea­son. We want to be a suc­cess because future arts helped uplift dis­ad­van­tage young peo­ple in bet­ter futures as opposed to just pro­vid­ing them a tem­po­rary dis­trac­tion from their trou­bled lives.

Damon

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